Meeting Date:  July 23rd  2005
Venue(s): Gene's - Appleton (Gene's rig)

 

Attendees:

Club Attendees: Paul (Foodman), Greg (Bossman), Dan (Danl), Jeff (Forch), Dan (Awakenist), Al, Gene (Hoodjem), Carl (Rooze).

 

NEWAS MEETING IN APPLETON JULY 23rd 2005
 
Thanks to all who were able to attend the meeting at Gene's place on Saturday, and thanks of course to Gene and his wife for opening up their home to the club and providing us with a great spread of food and beverage through the day.

Each of the meetings I've attended so far has been extremely enjoyable and memorable, and this was no exception.

Gene has an incredible listening room and system, based around the gorgeous looking Martin Logan CLS 1's, which he's owned since 1988. Finished in black, their see-through panels provide a visual clue for the audible delights to follow. Black is the color of choice and a prerequisite for any new piece of equipment in Gene's system, with exception made only for the Cary V12 tube amp, which is finished in Jaguar Carnival red. I'm sure Gene won't mind me saying that it isn't just about music with his system, it's also about aesthetics. 

Gene has an impressive CD and vinyl collection, along with many music reference/history books and various marble composer busts keeping a check on things; all serving to provide more than just a subtle clue to his musical genre preference - classical. 

To those of us driven more by the left side of the brain, there's the occasional feeling of a Sorites paradox when looking at what Gene has accomplished, and the way in which he has accomplished it. For example, we all know that taking the preamp output into the crossover of a subwoofer, splitting the signal in the sub and outputting whatever is left at 70hz and above into the power amp, is going to strip a system of its transparency, right? So how is it that Gene's system is perhaps the most transparent I've heard in many years of involvement with this hobby? We all know that subwoofers belong in the corner, where they can draw on boundary reinforcement to provide the most impactful and tuneful bass from a modestly sized enclosure. So how does Gene's sub provide all of this performance when placed in situ between and on plane with the main speakers? And what about the coiled-up speaker wires, "they sound better that way" remarked Gene, and I believe him.

Clearly this system has been tuned by ear to make music in the way that its owner likes to listen to music, and not by the requirements of some audio textbook. The sound I heard was striking in so many respects. The Rubinstein solo piano recording of Chopin was perhaps the nicest rendition I've heard of any solo piano work. My previous reference is Misha Mengelberg 'Solo' (which I highly recommend). However, my Magnepan's create an image that is larger than life, a 14' wide piano keyboard played by an odd looking guy with really long arms. The Magnepan's provide a fairly cohesive picture from around 250hz upwards, below which they sound loose and flubby with a deviation in tonal/harmonic accuracy most noticeable on piano recordings. Gene's system provided a more natural and tonally accurate presentation through the entire frequency range, with a more believable rendition of scale. With rock solid imaging, extended yet non-fatiguing highs, clear and delicate midrange revealing subtle detail in spades, all underpinned by the weight and authority provided by the seamless integration of a quality subwoofer, what more could one ask? Of course it isn't just the hardware and software. The listening room is particularly impressive, it seems to offer just the right level of absorption and diffusion. Not overly damped, but sufficiently so to allow the listening seat to be placed 15' from the speakers without loose reverberations and other undesirable room-effects masking the fine detail. 

It was great to hear classical music presented on a system that is clearly optimized for the playback of classical music. That isn't to say that Gene's system doesn't do other musical genres remarkably well, it does, as demonstrated quite clearly by its articulate handling of Jazz, rock and even a little bluegrass earlier in the day. 

It has to be very rewarding when a great deal of time and effort finally comes together in the form of a highly musical and involving playback system. I appreciated the experience very much.

Cheers

Rooze

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